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	<title>
	Comments on: The History of EMT and Plate Reverb	</title>
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	<lastBuildDate>Mon, 31 Jul 2023 00:51:47 +0000</lastBuildDate>
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		<title>
		By: Tim		</title>
		<link>https://www.wikiaudio.org/emt-140-plate-reverb/#comment-27453</link>

		<dc:creator><![CDATA[Tim]]></dc:creator>
		<pubDate>Mon, 31 Jul 2023 00:51:47 +0000</pubDate>
		<guid isPermaLink="false">https://www.wikiaudio.org/?p=3039#comment-27453</guid>

					<description><![CDATA[The valve EMT 140 St really was rather special, another sounding than the solid state ones. 
EMT plates were not only large, they needed to be houses in a quiet room away from the recording area and other sources of noise, the large steel plate acted like a microphone and added any ambient nose into the returning reverb. They also required occasional free tensioning to sound their best. 
EMT did produce a smaller version of the 140, the EMT 250 gold foil. It was never as popular as the 140 as it didn&#039;t have the brightness and sparkle of the original, although it was a lot smaller and still sounded very good.]]></description>
			<content:encoded><![CDATA[<p>The valve EMT 140 St really was rather special, another sounding than the solid state ones.<br />
EMT plates were not only large, they needed to be houses in a quiet room away from the recording area and other sources of noise, the large steel plate acted like a microphone and added any ambient nose into the returning reverb. They also required occasional free tensioning to sound their best.<br />
EMT did produce a smaller version of the 140, the EMT 250 gold foil. It was never as popular as the 140 as it didn&#8217;t have the brightness and sparkle of the original, although it was a lot smaller and still sounded very good.</p>
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		<title>
		By: Dead-eye the Jedi		</title>
		<link>https://www.wikiaudio.org/emt-140-plate-reverb/#comment-20911</link>

		<dc:creator><![CDATA[Dead-eye the Jedi]]></dc:creator>
		<pubDate>Mon, 20 Jun 2022 23:31:34 +0000</pubDate>
		<guid isPermaLink="false">https://www.wikiaudio.org/?p=3039#comment-20911</guid>

					<description><![CDATA[Damn, but I didn&#039;t like the EMT 140! 
I worked for the Who -- way back when (1973), building their new studio in Battersea (London).  It was a really hot summer day and I had to work around the huge and very heavy 4ft x 8ft box, housing &#039;The Beast&#039; in a *very* narrow little room, dedicated to just this device, and nothing else...

The surrounding sound isolation / insulation was made from fiberglass and I had to install thin plywood sheeting over the top of this... Due to the heat, my back was bare and I was really sweating, so having to lean against the fiberglass meant my back was covered in VERY itchy fibers ....... blooming ---&#062; OUCH!!! 
The EMT 140 was then used in the recording of the Who&#039;s &#039;Quadrophenia&#039; album; they recorded it as we were still working on the studio; they were a but desperate -- and broke, at the time! so urgently needed the cash...]]></description>
			<content:encoded><![CDATA[<p>Damn, but I didn&#8217;t like the EMT 140!<br />
I worked for the Who &#8212; way back when (1973), building their new studio in Battersea (London).  It was a really hot summer day and I had to work around the huge and very heavy 4ft x 8ft box, housing &#8216;The Beast&#8217; in a *very* narrow little room, dedicated to just this device, and nothing else&#8230;</p>
<p>The surrounding sound isolation / insulation was made from fiberglass and I had to install thin plywood sheeting over the top of this&#8230; Due to the heat, my back was bare and I was really sweating, so having to lean against the fiberglass meant my back was covered in VERY itchy fibers &#8230;&#8230;. blooming &#8212;&gt; OUCH!!!<br />
The EMT 140 was then used in the recording of the Who&#8217;s &#8216;Quadrophenia&#8217; album; they recorded it as we were still working on the studio; they were a but desperate &#8212; and broke, at the time! so urgently needed the cash&#8230;</p>
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